Obsession Is Essential
Nobody ever became truly great at something without obsessively pursuing it…
Fresnel Reflections In Nuke
How to create more realistic reflections in Nuke…
How To Create A Sense Of Depth In Your Composite
🔒 An important part of your job as a compositor is to make 2D images look and feel real and three-dimensional to the audience. And to build believable composites you need to be able to recreate the sense of depth…
Deep Holdouts Using Geometry In Nuke
The DeepCrop node in Nuke is severely limited for isolating specific areas of your Deep render. Here is a more flexible technique…
3D To 2D Tracking In Nuke
How to create 2D tracks using a matchmove camera…
Seeing The Whole Picture
Avoid limiting yourself when learning a new skill or studying a new topic…
Motion Blur Masterclass For Compositors
🔒 A deep dive into how motion blur works, the way cameras operate in the real world, and advanced techniques for dealing with motion blur in Nuke…
Advanced Retime Artefacts Cleanup Technique In Nuke
Automatically reproject whole-number frames to paint over decimal frame retime artefacts…
Creating Custom Lens Effects By Pre-Treating Your Images In Nuke
How to replicate interesting lens phenomena by pre-treating your images before applying your lens effects…
Animating Paint Strokes In Nuke
How to create custom animated reveal masks and creative effects using the RotoPaint node…
Your Wastebasket Isn't Full Enough
Avoid letting planning turn into procrastination…
Deep Compositing Using A 2D Workflow In Nuke
đź”’ How to composite Deep renders using a traditional 2D compositing workflow, and benefit from all your favourite 2D-only tools...